İlker Ortaç / Drawing archive
Tuncay Kurtiz: drawing and available formats
Looking at the image
Warm ochre areas surround the dark eyes and beard. Broad marks give the head more weight than its sparse surrounding field.
Traces of drawing, encounters between colors and individual character are central to İlker Ortaç’s portraits and figures. The image can be approached through the way a face or body is constructed, as well as through whom it represents.
From life to creative practice
İlker Ortaç’s involvement with cinema extends beyond drawing faces: he made short films and acted. During sociology graduate study at Mimar Sinan, he presented a thesis on disability in Turkish cinema and left after the jury meeting. That history provides a field of inquiry alongside the portrait.
From making to presentation
- Image source: the drawing is presented through the existing portfolio image or original-artwork record.
- Form: color, line, gaze and framing are explored in the visual notes on this page.
- Presentation: matching files, prints or objects are shown through separate product guides.
From the studio: a creative reconstruction
A first-person creative reconstruction drawing on the biography and artworks.
I approach this face as a single frame drawn out of a longer scene. I imagine what might happen just before and after it, then pull those explanations back. I want the gaze left in the frame to carry tension without giving away the whole story.
Working around Tuncay Kurtiz, my attention returns to this detail: Facial lines and the gaze’s position within the frame come forward. In the next passage, I imagine pulling back anything that weakens that encounter and leaving the areas holding its tension open for longer.
I want to consider the work from a distance for a while, then return to the same small detail. Imagining its different formats side by side, I try to keep the trace that stopped me in the first place.
Portfolio record
This drawing belongs to İlker Ortaç’s portfolio selection. Explore the other portraits through the archive below and compare how line and color change between faces.